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I just returned from five days in Paris to celebrate Grandpa Was a Freedom Rider, a great new documentary by Martial Buisson, a young Parisian filmaker. That's Buisson, above, between Riders Bob Zellner (left) and Lew Zuchman, who also came over for the premiere.
Opening night was a beautiful spring evening. The movie was screened on a barge-turned-theater docked in the Ourcq Canal, in the Parc de la Villette in northeast Paris. Martial and his team had done a great job outfitting the barge for the event.
Bob Zellner, Gabriel Junod, Adrien Blondel and Lew Zuchman. Junod edited the documentary. Blondel is Buisson's co-director; the two traveled the United States in a rented RV a little over a year ago to interview Riders. In addition to Zellner and Zuchman, the film includes interviews with John Lewis, Paul Brienes, Ellen Ziskind, Hezekiah Watkins, Charles Person, Margaret Leonard, Joan Mulholland and Dion Diamond.
Over 200 people attended the opening. The man in the center wearing a tie is Philipe Buission, Martial's father.
John Meldrum and his great 20+ person choir, the Highlites, sang movement songs and more before the screening. Meldrum wrote the soundtrack for the movie.
Blondel and Buisson talking after the screening.
Opening night was great fun, but even better were the series of events that Martial & Co. had put together for the days that followed. The documentary was shown and Zellner and Zuchman spoke three times for different groups: middle-school students from all over Paris, college students and community organizers, many of whom were members of SOS Racisme, a French anti-racist group. Above and below, some of the middle-school students who saw the movie at an event at City Hall. In addition to these events, Buisson, Zellner and Zuchman also did a number of interviews for local media about the project.
Buisson and his editor, Gabrial Junod, are coming to Mississippi later this month for Return of the Freedom Riders, the 50th anniversary event in Jackson May 22-26, and Grandpa Was a Freedom Rider will be screened several times during the week.
Today nearly half of the 400-plus 1961 Freedom Riders are in Chicago taping Oprah. It airs next Wednesday, May 4, the 50th anniversary of the day the Rides began. The classic WGBH/PBS two-hour documentary airs on Monday, May 16.
If you're a bit hazy on the details, here's an EZ-FAQ to help you sound like you know what you're talking about when all the hubub kicks into high gear.
Wow, Oprah?
Damn straight.
Wait, the Freedom Rides were . . .
In 1961, 400+ people were arrested for integrating bus and train stations and airports in the South.
I remember Freedom Summer, is that . . .
Freedom Summer came three years later, in 1964, when hundreds of college students went to Mississippi to work with local organizers on voter registration.
Is that when . . .
Yes, Freedom Summer volunteers James Chaney, Mickey Schwerner and Andrew Goodmen were murdered outside Philadelphia, on June 21, 1964.
Were any Riders . . .
No Riders were killed.
Is there a cheap, easy irony here?
Yes, while the Rides were still going on, Attorney General Robert Kennedy met with several leaders of the Rides and the Movement and offered support of various kinds if they would focus on voter registration instead of nonviolent direction action. The administration considered voter registration a safer alternative.
But weren't the Riders attacked . . .
Yes, Klan mobs came very close to killing Riders in three vicious attacks in Alabama. In Anniston, they firebombed a bus, but the Riders managed to escape. At the stations In Birmingham and Montgomery, the police made themselves scarce and let the mobs attack the Riders on their arrival. Several Riders were severely wounded.
Were there any famous people on the Rides?
James Farmer, John Lewis, Stokely Carmichael, Bernard LaFayette, James Lawson, Percy Sutton, Rev. Wyatt T. Walker, Rev. C. T. Vivian . . .
Uh, were there any famous . . .
Time magazine cub reporter Calvin Trillin rode on the first bus of Riders into Jackson.
Who started the Rides?
James Farmer and his colleagues at the Congress of Racial Equality (CORE) created the Rides.
What was CORE's elevator pitch?
A demonstration bus ride through the Deep South -- Washington, DC, to New Orleans -- integrating stations along the way in an attempt to draw some attention to the fact these stations were segregating in defiance of federal law.
Law? What law?
In December 1960, the Supreme Court had ruled that stations serving cross-country buses (more formally, interstate transportation) could not segregate.
How did it get started?
On May 4, 13 riders -- blacks and whites, men and women -- left Washington. They made it mostly OK until they got to Alabama. Reinforcements from the Nashville Student Movement arrived to keep the Rides going into Montgomery on May 20 and then into Jackson, Mississippi, on May 24. Where for the first time they were all arrested.
This is getting too detailed, can you just bottom-line it for me?
Wait, this part is important: Once arrested in Jackson, the Riders deftly abandoned their goal of New Orleans and opted to employ "jail -- no bail." They refused to bail out and instead invited new Riders to join them and fill Jackson's jails to overflowing. Across the country, people responded and within three weeks Jackson's jails were full.
Cool.
Mississippi then found room for the Riders in the state prison, Parchman. The Riders were locked up pretty much 24/7 in Unit 17, the maximum-security building that also housed death row and the gas chamber.
And then?
The Freedom Riders won. In September 1961 the Interstate Commerce Commission mandated an end to segregation in all bus and train stations and airports.
Can I sound clever by saying the Rides basically break down into three phases?
Yes, you can. Phase one: May 4 - May 14: The original Riders from Washington, DC, to Birmingham.
Phase two: May 14 - May 24: After the attacks in Anniston and Birmingham, the Nashville Student Movement sends reinforcements to keep the Rides going, on into Montgomery, on May 20, and then into Jackson, Mississippi on May 24, where they are all arrested.
Phase three: May 24 -- September 13: Jackson takes center stage, as Riders fill the jails to overflowing.
What's my response if someone says that before I can?
A three-stage view overlooks two other very important stages. First, Rides elsewhere around the south -- in Albany, Georgia; Houston, Texas; and St. Augustine, Florida, among other places. Second, Rides in Jackson and McComb late in the year, to test the state's compliance with the new ICC regulations.
Anything else I can say to try to sound clever?
The Rides showed the movement that nonviolent direct action offered a way forward, and provide a vital template for future campaigns.
That it?
For much of the summer of 1961, Parchman became Movement University. New recruits were locked up with movement leaders. Pretty much all they could do was talk. Many of the future leaders of the Mississippi movement were schooled here.
Weren't the Freedom Riders mostly . . .
Overall, half of all the Riders in 1961 were black, half white. The same is true of the 330 Mississippi Riders as well. Also: Three-quarters of the Mississippi Riders were men, a quarter women. Three-quarters were between the ages of 18 and 30.
And weren't they mostly from . . .
The Mississippi Riders came from all over: 39 states and 10 other countries. Roughly a third came from the Deep South, a third from the Northeast and Midwest, and a third from the West Coast.
Hey, this is all great but I want to know more . . .
1. Read http://en.wikipedia.org/wiki/Freedom_riders
2. Read Ray Arsenault's excellent narrative history: Freedom Riders: 1961 and the Struggle for Racial Justice (Pivotal Moments in American History)
3. Read my book Breach of Peace: Portraits of the 1961 Mississippi Freedom Riders
5. Watch Stanley Nelson's Freedom Riders, airing nationally on PBS on May 16
7. Read John Lewis's autobiography: Walking with the Wind: A Memoir of the Movement
8. Read James Farmer's autobiography: Lay Bare the Heart: An Autobiography of the Civil Rights Movement
9. Read Stokely Carmichael's autobiography: Ready for Revolution: The Life and Struggles of Stokely Carmichael (Kwame Ture)
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"James Early Ray's clothes on rack" is another photograph taken by Memphis photographer Gil Michael in 1968 and not made public unti now.
Michael took a number of photographs on Ray's return to Memphis from London. He had been arrested at Heathrow on June 8.
According to Marc Perrusqui in the Commercial Appeal, Bill Morris, the then-sheriff, hired Michael to shoot Ray's arrival at the jaill:
Morris said he brought in Michael, then an employee at Memphis State University, to document that Ray wasn't being mistreated. One picture Michael shot showing Morris escorting Ray into the jail was disseminated that night to the news media.
But the rest of Michael's photos were sealed up. Michael said the sheriff's office confiscated his negatives.
http://www.commercialappeal.com/news/2011/mar/30/window-on-history/
So on one level, the images are basic work-for-hire, bureaucratic documentary work, the sheriff's pictures to do with as he pleases. But at the same time Michael clearly aspires to something much bigger.
Consider his amazing anti-mug shot -- http://eetheridge.posterous.com/james-earl-rays-backwards-facing-mug-shot -- or as I have come to think of it, The Faceless Assassin.
Who made that stunning pose? Ray? The sheriff?
Perrusqui says that Ray had been "helplessly shoved into a corner by his captors at the Shelby County Jail."
Is Michael working for himself -- and us? I don't know.
I do know that the picture above knocks me out.
"James Earl Ray is seen facing the wall at Shelby County Jail. . . . (Photo by Gil Michael/Shelby County Sheriff's Office)"
This image of Ray is one of many photographs and other documents recently discovered in the Shelby County archives and released today, online. See them all here: http://register.shelby.tn.us/media/mlk/
I have never seen a backwards-facing mug shot before. My first impression was that Ray had posed himself that way, a vain act of defiance against his captors. In the Commercial Appeal, reporter Marc Perrusquia asserts that "Dr. Martin Luther King Jr.'s assassin stood face first against the wall, helplessly shoved into a corner by his captors at the Shelby County Jail."
http://www.commercialappeal.com/news/2011/mar/30/window-on-history/
Perrusquia offers no direct evidence for his statement, but he did interview both the photographer, Gil Michael, and the then-sheriff, Bill Morris, so one or both of them may have explained the provenance of the stance.
In either event, it is a potent image.